Boulder Ensemble Theatre Company's Local AEA EPA 24-25 Season Auditions

Welcome to the sign up form for BETC's 2024-2025 season!

EQUITY AUDITION DATES

Denver Local Auditions
Monday, April 8th

12:00 pm - 7:00 PM. 

Wednesday, April 10th

10:00 am - 5:00 PM. 

Equity audition dates are for members only.  Always bring your Equity Membership card to auditions.

NON-EQUITY ACTORS WILL BE SEEN AT THE DCPA AND CTG UNIFIED AUDITIONS.

CONTRACT

SPT4, $600/wk.

APPOINTMENTS

Auditions will be scheduled on a first come, first serve basis; and though we will try, date and time change requests may not be able to be granted once your appointment time has been selected.

Actors are asked to email their headshot and resume AFTER they have selected a sign-up time.

Performers will receive an email confirmation with their time and audition details in the week following the sign ups. 

A 3 minute audition package length will be strictly enforced.

EPA Procedures are in effect for this audition.

No audition videos will be accepted.

PERSONNEL IN THE ROOM

Jessica Robblee (she/her), Producing Artistic Director

Mark Ragan (he/his), Managing Director

Sylvia Gregory, CSA (she/her), Casting Director

LOCATION

Denver Center for the Performing Arts

Robert and Judi Newman Building for Theatre Education, 3rd Floor

1101 13th Street

Denver, CO

SEEKING

Performers for a variety of roles for the 2024-2025 season.

SHOWS

Enemy of the People by Henrik Ibsen, 1st Rehearsal: Aug. 20, Shows Sept 26-Oct 13 (Thurs-Sun), and an additional run in Boulder: Rehearsal Nov. 5-7, Shows Nov. 8-17 (Thurs-Sun)

The Ballot of Paola Aguilar by Bernardo Cubría, 1st Rehearsal: Sept 17, Shows Oct 17-Nov 3 (Thurs-Sun)

Little Women by Louisa May Alcott, 1st Rehearsal: Oct. 29, Shows Dec. 5-29 (Thurs-Sun)

Hope and Gravity by Michael Hollinger, 1st Rehearsal: Dec. 26, Shows Jan. 23-Feb. 16 (Thurs-Sun)

The White Chip by Sean Daniels, 1st Rehearsal: Mar. 11, Shows Apr. 10-May 4 (Thurs-Sun)

CHARACTER BREAKDOWNS

Enemy of the People by Henrik Ibsen

(All racial/ethnic/gender combinations will be considered in casting.)

Dr. Thomas Stockmann, Medical Officer of the Municipal Baths

Mrs. Stockmann, his wife

Petra, the Stockman’s adult child, a teacher

Peter Stockmann (the Doctor's elder sibling), Mayor of the Town and Chief Constable, 

Chairman of the Baths' Committee, etc

Morten Kiil, a tanner (Mrs. Stockmann's adoptive father)

Hovstad: editor of the "People's Messenger"

Billing, sub-editor

Captain Horster

Aslaksen, a printer. 

The Ballot of Paola Aguilar by Bernardo Cubría

Paola Aguilar (Late 30’s, Mexican) A Doctor of Latinx Studies who teaches at a local Colorado college. She wants to be a mom but life hasn’t made that available yet. Hyper-intelligent and empathetic to a fault. Has regrets and the boundaries to match. 

Nicola Ramirez (30’s, White with a Cuban father) A not-so-closet nerd. She is-- upon further investigation-- way more neurotic than you could ever imagine. Has yet to come out as Latina. According to her Instagram she’s doing just fine. 

Bernard Robinson (30’s, Black) grew up with money in Texas. Went to SMU. Has far too often been someone’s “black friend.” He is obsessed with early Garth Brooks. Wants to be president one day. 

Rebecca Feldman (late 20’s, Jew-“ish”) grew up in New York City. Speaks Spanish fluently and can’t wait to tell you how she “estudiar en Venezuela.” Got one question wrong on her SAT and she knows which one. Fancies herself a human rights activist AND a centrist. She is so proud to call herself an “ally.”

Kaj Lutken (30’s, White) the kind of person who didn’t get that Wolf of Wall Street was a satire. Is hyper concerned with cancel culture and is currently working on an op-ed about the whole thing. He is the epitome of ambition and, trust me, he sleeps waaaaay less than you do. 

Hispanic/Latino/Latina/Latinx/Latine Actor – This actor will play various people throughout the play. They and we are not a monolith. And they get to have fun in acting out various examples of a diaspora. I recommend you hire someone with clowning experience. But legit they can be any age, gender, whatever.

Little Women by Louisa May Alcott

(All racial/ethnic combinations will be considered in casting.)

Jo March ~20s/30s, female

Meg March ~20s/30s, female

Beth March ~20s/30s, female

Amy March ~20s/30s, female

Laurie ~20s/30s, male

Marmee/Aunt March/Hannah ~40s-60s, female

Brooks/Old Mr. Laurence/Mr. March/Schoolmaster/Doctor ~30’s-40’s, male

Hope and Gravity by Michael Hollinger

(All racial/ethnic combinations will be considered in casting.)

Track 1: (man, 40s–50s) MARTY, DOUGLAS

Track 2: (man, late 30s–early 40s) PETER, HAL

Track 3: (woman, 40s) TANYA, NAN

Track 4: (man, 20s) STEVE

Track 5: (woman, 20s) JILL, BARB

The White Chip by Sean Daniels

STEVEN (30’s, any race, male)

#Track 1 (Any age, any race, female) is helping STEVEN to tell the story and also plays all the women in the piece.

#Track 2 (Any age, any race, male) is helping STEVEN to tell the story and also plays all the men in the piece.

These auditions are for performers 18+ years of age.  Any auditions for youth performers will be held at a later date.

PREPARATION

Two contrasting monologues. 

Total audition package should be no longer than 3 minutes. 

There are no musicals/plays with songs in our 2024/2025 season, so an accompanist will not be provided.

BETC is committed to diversity and maintains a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, we encourage performers of all ethnicities, gender identities, body types and sizes, and ages, as well as performers with disabilities, to audition for appropriate roles.

BETC creates a safe and equitable workplace through policies defined by the Equal Employment Opportunity Commission and the Actors’ Equity Association. These policies provide a comprehensive framework for health and safety of all actors, stage managers, creative staff, and designers employed by BETC.

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First & Last Names *
Email *
Phone Number *
Pronouns
Are you a member of The Actor's Equity Association? (Please remember to bring your AEA card to the auditions.) *
Do you have any known conflicts for the 2024-2025 Season at this time? *
Please list all productions you are interested in.
Please list any productions you are not interested in.
Are you willing to accept an understudy position? *
Are you fully vaccinated? *
Do you have any special skills that might pertain to this season?
Is there anything else we should know about you?
Please choose ONE audition time, on EITHER 4/8 OR 4/10. Multiple sign ups will be deleted completely.

If you would like to attend the auditions on Monday, 4/8: Please choose an audition time below, between 12:00 - 7:00 PM. 

If times are not available, that means the time slots are already filled. 

Time slots are 5 minutes each.
Please choose ONE audition time, on EITHER 4/8 OR 4/10. Multiple sign ups will be deleted completely.

If you would like to attend the auditions on Wednesday, 4/10: Please choose an audition time below, between 10:00 AM - 5:00 PM. 

If times are not available, that means the time slots are already filled. 

Time slots are 5 minutes each.
Once you have completed this form, please email your headshot and resume to Sylvia: sylvia@sylviagregorycasting.com.

Please be sure that your documents are named digitally with only your first and last names, and that the names on both documents match.

Headshots should be jpegs, and resumes should be PDFs (not Word or Pages).
Thank you for your interest! We will send out an email confirmation with your time and audition details in the week following the sign ups. 
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